'Peasant boy under an apple tree' - Alexander Savinov (1881–1942)
Ferdinand Hodler (Suisse, 1853-1918), Strasse Von St. Georges, 1877, huile sur toile, collection privée
Annibale Carracci (Italian; 1560–1609), after
Portrait of a Young Man
Red chalk and white chalk, n.d.
Princeton University Art Museum, Princeton, New Jersey
Ettore Tito (Italian, 1859–1941), Gondolas in Venice. Oil on canvas, 39 x 31 cm.
Self-Portrait (1892). Anna Bilińska-Bohdanowicz (Polish, 1857-1893).
Self-Portrait was unfinished. The natural ease of the pose, a modesty of the attire, the attributes of the painter’s profession held in the hands and finally the open, bold look on the face, which conveys firmness and strength of character - clearly express the artist’s intention to present herself as an artist, who knows her worth, and as a woman, who has freed herself from the restrictions of the the era’s conventions.
Dame Laura Knight (1877-1970): Madonna of the Cotton Fields (also known as Mighty Like a Rose), c. 1927, source: vincentaltamore.blogspot.com.